El camino movie songs9/18/2023 ![]() ![]() There’s something fascinating to me about how Walter basically had no one at the end of the series but “El Camino” opens with Jesse calling on a network of people to enable his escape, including allies like Skinny Pete ( Charles Baker), Badger ( Matt Jones), and even Old Joe ( Larry Hankin). That can come when he makes it to Alaska.įans of “Breaking Bad” will draw thematic parallels between the new movie and their favorite show. On the one side, he has been through something horrible-and we see glimpses of his time in captivity through flashback, including an extended one with Plemons’ Todd that directly informs the plot of the film-but he also knows that he does not have the luxury of time to grieve or heal. He’s again great here, capturing the push-and-pull of trauma and need within Jesse. In terms of performance, “El Camino” is a vehicle (sorry) for Aaron Paul, an actor who hasn’t really found a part since Jesse that can show off his skills. Gilligan could easily transfer his skills with composition to the big screen (and this will play on a few of them in conjunction with its Netflix run). If anything, the visual language of his show was often underrated, and absolutely none of that is lost here. What I mean is that "El Camino" is both cinematic and like the show, as Gilligan uses the bright lights of New Mexico and the dark shadows of the world that Jesse has to descend into once more well. “Breaking Bad” was always a deeply cinematic show-it was shot on film-and so the transition to a feature feels organic. It’s more of a reclamation of a classic TV character from screaming victim of fate who was manipulated by Walter White to someone who’s ready to make his own decisions. ![]() He will have to evade the cops and some new enemies to make it there, but “El Camino” isn’t exactly a thriller (despite a wonderful “High Noon” showdown). For 122 minutes, that’s the main drive of “El Camino” – getting Jesse to Alaska. “El Camino” actually opens with a flashback to a conversation with a familiar face that I won’t spoil (there are a few in “El Camino,” although the big ones don’t feel like fan service as much as grace notes for Jesse’s arc) about Jesse wanting to get out of Albuquerque and escaping all the way to Alaska. ![]() Pinkman, who has one goal: get out of New Mexico. Naturally, the authorities are descending on the massacre, and they have a few questions for Mr. Jesse has fled the scene, screaming and speeding into the night. Walter and most of the Nazis, including Todd ( Jesse Plemons), are dead. Gilligan picks up right away chronologically. We learn more about that captivity in “El Camino,” and running from trauma is a major theme of the film. Most importantly, that Walter rescued Jesse from the meth-dealing Nazis who had been holding him prisoner. However, you need to remember what happened at the end of season five. What might have felt more like a cash grab were it made in the wake of the award-winning final season feels more creatively driven six years later. It is not designed to exist as a standalone movie as much as something watched after the end of season five, although I do like that it didn’t happen right away, giving its creator and star more time to enrich the project. If you're hazy on what happened in the AMC hit, be warned that “ El Camino” does not hold your hand. The result is a project that feels true to its source, a well-crafted epilogue for a beloved character who vividly understands the concept of consequences. It’s that fertile creative ground that brought Vince Gilligan back to this world in his Netflix Original, “El Camino: A Breaking Bad Movie”-a need to know another chapter in Jesse Pinkman’s story. A structure in which the viewer can be confident that action leads to reaction is naturally going to enhance viewer interest, and that was the part of the draw the of the show-how will what we’re watching now impact what happens next? (It also helped make it a perfect show for binging on Netflix). We followed the arc of Walter White ( Bryan Cranston) and Jesse Pinkman ( Aaron Paul) from that first day in the desert in the series premiere to the blood-soaked finale, and it was easy to trace the line of consequences that got us from the starting to the finish line. More than arguably any other drama, decisions had repercussions and slates weren't wiped clean between episodes. ![]() “Breaking Bad” was always a show about consequences. ![]()
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